Three views of Zhuang Hong Yi's 164 Flowerbed showing orange and blue tones from different viewing angles

Selected from a private collection

Zhuang Hong Yi

164 Flowerbed

Medium
Acrylic, ink and rice paper on canvas
Dimensions
60 × 60 × 10 cm

The three views show the same work from different angles. Its orange and blue tones shift with the viewpoint and light. 164 Flowerbed is offered directly from a private collection built over many years. Ask for original photographs, the available documentation and the asking price, or arrange a private viewing in Maldegem. Zhuang Hong Yi describes the Flowerbed series as an arrangement of individually prepared rice-paper flowers. His practice brings this paper technique together with colour and a sculptural surface. For this particular work, the accompanying certificate records acrylic, ink and rice paper on canvas, with a depth of 10 cm.

Price on request. The image is a presentation of three viewing angles; the full certificate is available privately.

Private viewing in Maldegem by appointment, including weekends. A drink is offered during your visit.

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About Zhuang Hong Yi

Zhuang Hong Yi (born 1962 in Sichuan, China) is an artist whose practice connects Chinese cultural references with experience in Europe. He studied at the Sichuan Fine Arts Institute before moving to the Netherlands in 1992 and continuing at Minerva in Groningen. Flowers, intense colour and the repeated arrangement of small forms are central to much of his work. His artist biography describes a process in which planning, gesture and subsequent adjustment work together. Nature and the Dutch landscape, including tulip fields, provide points of reference. The compositions invite attention both to the overall colour field and to the many elements from which it is built. This dialogue between detail and whole reflects an approach shaped by more than one cultural environment. His work has been exhibited at institutions including the Groninger Museum, the Found Museum in Beijing and Museum Ulm. His website documents the development of his practice and its international exhibition history.